![]() ![]() The growls and shrieks from vocalist Gleed are powerful as always. The songs generally consist of mid-paced crushing riffs, slower brooding sections and a focus on simplicity and rhythm rather then any guitar wankery, another prevalent aspect of more modern death metal outfits. There are also elements here that remind me of groups such as Six Feet Under and Bone Gnawer. ![]() No More Room In Hell favours an approach akin to Swedish groups such as Bloodbath, Vomitory and Entombed, characterized particularly in the ultra distorted, chunky guitar tone and a generally caveman-esque approach to song writing. ![]() Many modern death metal bands seem to be caught up in the somewhat predictable genre mish-mash of slam and technical death metal. No More Room In Hell offers a truly ugly and sludgy brand of old-school influenced death metal, a genre that seems to rarely rear its ugly head in new bands these days (either that or I am totally ignorant to newer groups with such a sound). Gleed is known for his work in Amputated and Carrier is known for his seriously impressive back catalogue of bands and projects he has been involved in. ![]() No More Room In Hell is an interesting new entity to enter the UK death metal scene, consisting of Mark Gleed and Anil Carrier, two relatively well-known musicians from their respective other groups. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |